PROLOGUE
Herr Drosselmeyer, a well-known toy maker in the town of Kleindorf, prepares to depart for the Stahlbaum’s annual Christmas party. His nephew, Hans, assists in the shop serving last minute customers and packing boxes. Drosselmeyer puts the finishing touches to a Nutcracker doll, a gift for the Stahlbaum’s daughter, Clara. Meanwhile, out in the street two families are on their way to the party. At the Stahlbaum’s home the children’s governess helps an excited Clara dress for the Christmas party. Clara receives a fan from her parents as she is now becoming a young woman. Fritz, her younger brother, bursts into the bedroom. He is very excited about his Christmas gift, a hobbyhorse. Drosselmeyer and Hans are on their way to the Stahlbaum party.
ACT I
The Christmas Party
At the Stahlbaum Christmas party the children are given gifts from underneath the tree. Herr Drosselmeyer and Hans arrive in the midst of the festivities. It becomes clear that Hans admires Clara. However, Fritz keeps pestering them. He does not understand that both Hans and Clara are growing up. Drosselmeyer performs some magic tricks to entertain the children. Clara gives Hans a Christmas gift of a scarf. Then, two mysterious boxes arrive. Each box contains two large mechanical dolls created by Herr Drosselmeyer to entertain the children. After the dolls have been put away, Drosselmeyer gives a nutcracker to Clara, Fritz becomes jealous. He snatches the nutcracker from Clara and breaks it. Clara is upset, but Hans comforts her as Drosselmeyer mends the nutcracker doll. It is time to go home and Hans gives Clara her first kiss as he prepares to depart.
The Dream
Clara goes to bed with her nutcracker tucked under her arm. She “wakes” to discover her bed is being spun by two large mice in the living room. They chase Clara out of her bed and around the room. As Clara tries to escape, the room transforms into a Mouse Kingdom before her eyes. Clara runs to the clock where she hides her nutcracker inside the casement. Mice appear from everywhere and chase her until she falls in front of the clock. The clock explodes and turns into a sentry box with a life-size Nutcracker inside. The mice drag Clara away from him as the Mouse King arrives in a pirate ship. Clara is hauled on board by the nasty rodent while The Nutcracker calls on his troops to fight the mice and rescue Clara. A terrific battle ensues between The Mouse King and The Nutcracker. Just as The Mouse King is about to kill The Nutcracker, Clara hits the Mouse King with her slipper.
The Winter Land
Clara finds herself alone in a winter scene except for The Nutcracker lying where he fell. She runs to him and shakes him. She begins to cry, believing he is dead. He stirs and rises up. Clara sees that he is Hans, Drosselmeyer’s nephew, dressed as a handsome soldier. Hans takes her hand and they begin to dance. A carousel pony arrives to take them on their journey. Clara climbs onto the pony led by Hans. As they travel across the frozen lake, they have a wonderful time watching the friendly skaters.
ACT II
The Kingdom of Sweets
Hans takes Clara to the Kingdom of Sweets, her reward for saving The Nutcracker Soldier from the Mouse King. When they arrive, they are greeted by the Sugar Plum Fairy and her Cavalier. The Cavalier gives Hans a gift for coming to Clara’s rescue. Clara is entertained with a festival of dances in her honor. Dancers from Spain, Arabia, China and Russia perform for her. Hans rises and invites Clara to join a group of beautiful women in a waltz. The Sugar Plum Fairy and her Cavalier dance a grand pas de deux just for Clara. All the magical characters join in a final dance. Clara’s mind races as the dancers whirl about her. Suddenly, she wakes to find herself sitting in her bed clutching her nutcracker doll. To her surprise Clara sees that her little nutcracker doll is now wearing a cloak - and she wonders…was it really a dream?
El Cascanueces (en ruso: Щелкунчик, Shchelkúnchik) Op. 71 es un cuento de hadas-ballet en dos actos y tres escenas de Piotr Ilich Chaikovski (1840–1893), compuesto en 1891–1892. Chaikovski puso música a la adaptación de Alejandro Dumas (padre) del cuento El cascanueces y el rey de los ratones, de Ernst Theodor Amadeus Hoffmann (puesta en escena por Marius Petipa y encargado por el director de los Teatros Imperiales Iván Vsevolozhski en 1891). En los países occidentales El cascanueces se ha convertido quizá en el más popular de todos los ballets, principalmente representado en Navidad.
Chaikovski hizo una selección de ocho de los números del ballet antes de su estreno en diciembre de 1892, formando La suite de El cascanueces Op. 71a, concebida para tocar en concierto. La suite se tocó bajo la dirección del compositor el 19 de marzo de 1892, con ocasión de una reunión de la sucursal de San Petersburgo de la Sociedad Musical.[1] La suite se volvió popular desde entonces, aunque el ballet completo no logró su gran popularidad hasta los años 1960.
Entre otras cosas, la música de El cascanueces se conoce por su uso de la celesta, un instrumento que el compositor ya había empleado en su balada sinfónica mucho menos conocida, El Voivoda (estrenada en 1891). Aunque se conoce como el instrumento solista presentado en el acto II de la Danza del Hada de Azúcar, la celesta se emplea en otras partes del mismo acto.
No hay comentarios:
Publicar un comentario